Bounce Color's new Tone LUTs are a great addition to your Filmmaking effects library.
Featuring 10 well crafted LUTs designed specifically to work well with skin tones and dark moody vibes.
These Rec709 LUTs are for use with all cameras using Rec709 or LOG. We have provided indide the pack, LOG - Rec709 Conversion LUTs for most cameras (details at bottom of page).
✓ Download instantly after purchase
✓ 24/7 Support
✓ Regular Updates - Latest: 04.01.20
✓ LUT file format: .cube
✓ No installation required, just import them
✓ For professionals and beginners
✓ Works on nearly all editing programs (scroll down for details)
✓ Tutorials included
✓ Created by Colorists & Filmmakers
✓ Inside this pack - All Tone LUTs, LOG - Rec709 Conversion LUTs for Canon, Blackmagic, DJI, Sony, RED and Panasonic. Instructions.
Bounce Color Team: We are a team of Filmmakers and Colorists who have been creating LUTs and Lens Flares for ourselves for many years.
We found the struggles of color grading LOG footage when we first encountered it and it had to be solved. We then decided how much it would help other film makers to get a step in the door into the color grading world without the inconvenience of learning how to grade LOG and rec709.
Color grading isn't an easy task, it is an art in itself, so if we can help others achieve specific looks with convenience then this makes us happy.
These Tone LUTs are a great addition to your Filmmaking presets library.
Featuring 10 well crafted LUTs designed specifically to work well with skin tones and moody vibes.
• Premiere Pro CC
• After Effects CC
• Final Cut Pro
• Da Vinci Resolve
• Sony Vegas 13+
And many more
• Rec709 for all STANDARD footage (any camera)
• Blackmagic BMDFilm
• RED GAMMA3
• Sony Cine4
• Sony SLOG2
• Sony SLOG3
• Panasonic VLOG
• DJI Drone DLOG
• Canon CLOG
• Fujifilm using rec709 folder
• Nikon using rec709 folder
• GoPro using rec709 folder
• Phones using rec709 folder
• Kine Infinity using rec709 folder
• ARRI using rec709 folder
A LUT (Lookup Table) is essentially the modifier between two images, the original image and the displayed image, based on a mathematical formula.
Color LUTs take in color values and give out corresponding colors, some LUTs increase saturation, others punch contrast and some even change colors entirely. Most of the time they will do a combination of things. No matter how complicated an image may seem, a LUT is simply a process that turns one color into another.
The good thing about LUTs is they can be used in nearly any program that adjusts color.
They are essentially like having Instagram presets for video and are compatible on nearly all editing programs.
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